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The arthouse drama Hallucinations of War, directed by Nath Milburn, tells the story of Emily, a woman who returns home for her mother’s wake. Here, the battlefield is domestic, unlike Barbarella, and the enemy is psychological. Her estranged twin sister and the sister’s new boyfriend engage in manipulative gaslighting. This causes Emily to question her own sanity. This isn’t a war of armies, but a war for her mind. The film matches with broader themes that the term “Hallucinations of War” has explored throughout history: the psychological experiences of veterans dealing with PTSD, the deceptive “phantom armies” of historical warfare, and the very nature of hallucinations as a reaction to trauma, as explored in the works of Oliver Sacks and authors like Elizabeth Bowen.

Get ready for a mind-bending experience. Hallucinations of War is a film where the ordinary meets the monstrous, and the fight is internal.

While Barbarella and Flash Gordon redefine what it means to fight on a cosmic scale, Emily’s fight is intensely personal. Her war is a multi-layered mash-up of fractured family dynamics and the manipulation of reality. This isn’t a typical war story; it’s a profound exploration of human psychology, memory, and the boundaries of reality by Ivory Night movie